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A singer was consecrated for his vocal ability, purely and exclusively. The admiration of the public, which was expressed through applause, was directed towards those interpreters with a privileged throat, without other details related to that artist being important when judging his performance.
However, the preponderance that visual reproduction formats such as photography and cinema acquired, accentuated the transcendence of the image. A figure like Carlos Gardel, for example, prevailed due to download tiktok video his interpretive qualities, but his careful appearance (first in gaucho attire, then as a compadrito and finally as a dandy) became an undoubted spur in his leap to stardom. international.
The matter was not going to end there. With Elvis Presley, a trend was consolidated that time would promote: that of accompanying singing through body movements. James Brown would be the one who would take things to the extreme and Mick Jagger himself would enter through him into that Parnassus where dancing was almost as important as vocalization.
Since rock is rock, it was not necessary to be a prodigious singer to obtain the blessing of large audiences. In its generalized questioning of the prevailing canons, the new movement would resist accepting that precept that only privileged voices could sing a song. The charisma, the lyrical merits, the choreographic audacity, the physical beauty, among other details, came to the fore ahead of the musical talents.
But the record industry still had to discover two novelties that would shake its structures to the point of crumbling old absolute truths. On the one hand, the Internet, which has infinitely facilitated the circulation flows of musical products. And on the other hand, reality television shows, which have established a different way of accessing success.
With these two contributions, the current panorama is completed, in which many of the fashionable singers became known through social networks or jumped to mass consideration thanks to a foray on TV. The formula of the hit is then related not so much to the characteristics of the artist candidate, but to the way in which this proto-star enters the wide world of popularity.
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